Poslední úprava: Kateřina Esserová, DiS. (06.05.2022)
The course organically combines knowledge about the development of music in historical and form contexts. It is therefore focused on the acquisition of knowledge about the development, laws and features of form construction, about the representation of forms in specific musical works; it is also focused on the practical mastery of the basic building mechanisms of small forms in vocal and instrumental form, in the verification role of theoretical knowledge and in didactic preparation. The presentation of forms is realized in connection with the development of music in art-historical and general historical contexts. 1. Music and genres of antiquity, ancient drama, its role and its modern conception 2. The beginnings of European music, chant, monody, non-periodic formations, fundamental formations of spiritual and liturgical music. The beginnings of folk music, the oldest preserved monuments of Czech music, the form structure of contemporary and contemporary vocal formations, the basics of form construction 3. Knight music, minnesang, musical formations of the epoch, the organic period, Notre Dame, ars antiqua, ars nova. Organum, conductus, motetus, ballata, rondeaux, virelais, chasse, caccia, music of the Reformation, vocal formations of the epoch 4. Renaissance, Dutch schools, canon, madrigal, Italian renaissance, renaissance in Bohemia, literary fraternities, symbiosis of vocal and instrumental music 5. European and Czech Baroque, ricercar, fugue, prelude, toccata, cantata, oratorio, opera, concert, counterpoint variations, types of musical thinking, characters of instrumental music - motif, theme, figure, running, dance suite 6. European and Czech classicism, characters music, new homophonic forms - sonata form, sonata cycle and variants of its cast, variations, serenade, opera 7. Romanticism, national schools, projection of romantic musical thinking into form formations and expressions - absolute and program music - symphony, program symphony, symphonic poem , song forms, problems of form and genre, cycles, dances, suite, vocal formations 8. Impressionism - modal music, formations, Czech expressionism 9. Expressionism - atonal music, serials smus, 2nd Viennese school, Czech expressionism 10. Neoclassicism - extended tonality 11. Stylistic syntheses of contemporary music - tradition and innovation of expression and form 12. Popular music and so-called non-artificial music as a phenomenon of the 20th century
Poslední úprava: prof. PaedDr. Michal Nedělka, Dr. (29.01.2023)
The course organically combines knowledge about the development of music in historical and form context. It is therefore aimed at acquiring knowledge about the development, patterns and features of the form building, about the representation of forms in specific musical works; is also focused on practical mastery of basic building mechanisms of small forms in vocal and instrumental form, both in the verification task of theoretical knowledge and in didactic preparation. The presentation of forms is realized in connection with the development of music in the context of art-historical and generally historical.
Cíl předmětu - angličtina
Poslední úprava: prof. PaedDr. Michal Nedělka, Dr. (29.01.2023)
The aim is to acquire basic theoretical principles of music and to gain an overview of the key milestones of music-historical development.
Deskriptory - angličtina
Poslední úprava: prof. PaedDr. Michal Nedělka, Dr. (31.01.2023)
Expected preparation time for 1 hour lecture: 30 minutes
Expected preparation time for 1 exercise: 60 minutes
Self-study of literature (per semester): 30 hours
Work with study materials (per semester): 20 hours
Completion of continuous assignments (per semester): 10 hours
Seminar assignment: 5 hours
Preparation for credit: 10 hours
Literatura -
Poslední úprava: Kateřina Esserová, DiS. (06.05.2022)
Crocker, Richard L.: A History of Musical Style, New York1986 Grout, Donald Jay - Palisca, Claude: A History of Western Music, New York 1996 (popř. 1984) Handschin, Jacques: Musikgeschichte im Überblick, Luzern 1948 Wörner, Karl-Heinrich: Geschichte der Musik, 8Göttingen 1993
Dahlhaus, Carl: Nineteenth-Century Music. Berkeley, Los Angeles, London: University of California Press 1989 (překlad Musik des 19. Jahrhunderts, viz Neues Handbuch der Musikwissenschaft, Band 6)
Green, Douglass. Form in Tonal Music: An Introduction to Analysis, Second Edition. Holt, Rinehart and Winston : 1979. 336 pp. ISBN-13: 978-0030202865. Berry, Wallace. Form in Music. Prentice Hall : 1985. 439 pp. ISBN-13: 978-0133292855. Stein, Leon. Anthology of Musical Forms. Warner Bros Pubns : 1962. 164 pp. ISBN-13: 978-0874870442. Santa, Matthew. Hearing Form: Musical Analysis With and Without the Score. Routledge : 2009. 624 pp. ISBN-13: 978-0415872638. Caplin, William. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. Oxford University Press : 2000. 320 pp. ISBN-13: 978-0195143997.
Poslední úprava: Kateřina Esserová, DiS. (06.05.2022)
Crocker, Richard L.: A History of Musical Style, New York1986 Grout, Donald Jay - Palisca, Claude: A History of Western Music, New York 1996 (popř. 1984) Handschin, Jacques: Musikgeschichte im Überblick, Luzern 1948 Wörner, Karl-Heinrich: Geschichte der Musik, 8Göttingen 1993
Dahlhaus, Carl: Nineteenth-Century Music. Berkeley, Los Angeles, London: University of California Press 1989 (překlad Musik des 19. Jahrhunderts, viz Neues Handbuch der Musikwissenschaft, Band 6)
Green, Douglass. Form in Tonal Music: An Introduction to Analysis, Second Edition. Holt, Rinehart and Winston : 1979. 336 pp. ISBN-13: 978-0030202865. Berry, Wallace. Form in Music. Prentice Hall : 1985. 439 pp. ISBN-13: 978-0133292855. Stein, Leon. Anthology of Musical Forms. Warner Bros Pubns : 1962. 164 pp. ISBN-13: 978-0874870442. Santa, Matthew. Hearing Form: Musical Analysis With and Without the Score. Routledge : 2009. 624 pp. ISBN-13: 978-0415872638. Caplin, William. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. Oxford University Press : 2000. 320 pp. ISBN-13: 978-0195143997.
Požadavky ke zkoušce - angličtina
Poslední úprava: prof. PaedDr. Michal Nedělka, Dr. (29.01.2023)
Complex analytical part
Comprehensive analysis of selected compositions with respect to the pedagogical aspects of the analysis
Music for analysis:
Folk Songs (selection)
Popular songs (selection)
J. Ježek: David a Goliáš
F. Max Kníže: Zklamaná láska
Josef Říha: Missa brevis
Zdeněk Pololáník: Liturgická česká mše
J. S. Bach: Malá preludia a fugety (fuga c moll, fuga C dur)
J. S. Bach: Temperovaný klavír (Preludium a fuga Es dur)
J. S. Bach: Francouzské suity, Anglické suity, Německé suity (výběr)
J. S. Bach: Passacaglia c moll
J. Haydn: Symfonie S úderem kotlů
M. Clementi: Sonatina č. 3 C dur
W. A. Mozart: Malá noční hudba
W. A. Mozart: Variace C dur
L. van Beethoven: Sonáta c moll Patetická
F. Schubert: Impromptu As dur
J. Brahms: Variace na Haydnovo téma
Vicent d´Indy: Istar
L. Janáček: Po zarostlém chodníčku
V. Sommer: Vokální symfonie
P. Eben: Okna pro trubku a varhany
V. Novák: Slovácká suita
F. Chopin: Etuda (výběr)
F. Chopin Preludia (výběr)
J. J. Ryba: Rozmilý slavíčku
Z. Fibich: Vodník
A. Dvořák: Symfonie e moll
A. Dvořák: Vodník
B. Smetana: Vltava
B. Smetana: Polka g moll (Poetické polky)
F. Chopin: Valčík As dur
Česká státní hymna
S. Prokofjev: Pater Lorenzo (Romeo a Julie)
S. Prokofjev: Gavota (Romeo a Julie)
Sylabus - angličtina
Poslední úprava: prof. PaedDr. Michal Nedělka, Dr. (29.01.2023)
1. Ancient music and genres, drama, its role and its modern conception 2. The beginnings of European music, chant, monody, non-periodic formations, essential formations of sacred and liturgical music. The beginnings of folk music, the oldest preserved monuments of Czech music, the form structure of contemporary and contemporary vocal formations, the foundations of the form building 3. Knight's music, minnesang, music formations of the epoch, organic period, Notre Dame, ars antiqua, ars nova. Organum, conductus, motetus, ballata, rondeaux, virelais, chasse, caccia, music of the Reformation, vocal formations of the epoch 4. Renaissance, Dutch schools, canon, madrigal, Italian Renaissance, Renaissance in Bohemia, literary brotherhoods, symbiosis of vocal and instrumental music 5. Baroque European and Czech, ricercar, fugue, prelude, toccata, cantata, oratorio, opera, concert, counterpoint variations, types of musical thinking, signs of instrumental music - motive, theme, figure, running, dance suite 6. European and Czech classicism, signs of music, new homophonic forms - sonata form, sonata cycle and variants of its cast, variation, serenade, opera 7. Romanticism, national schools, projection of romantic musical thinking into form and expressions - absolute and program music - symphony, program symphony, symphonic poem, song forms, problems of form and genre, cycles, dances, suite, vocal formations 8. Impressionism - modal music, formations, Czech expressionism 9. Expressionism - atonal music, serialism, 2nd Vienna school, Czech expressionism 10. Neoclassicism - extended tonality 11. Stylish syntheses of contemporary music - tradition and innovation of expressions and forms 12. Popular music and so-called nonartificial music as a phenomenon of the 20th century
Podmínky zakončení předmětu - angličtina
Poslední úprava: prof. PaedDr. Michal Nedělka, Dr. (31.01.2023)
Demonstration of knowledge of the development of music and methods of its research from a historical and complex analytical point of view. Continuous completion of assignments based on active participation in class with a tolerance for absence in 4 class periods. Classified credit has 3 terms. Regular and 2 remedial terms.
