PředmětyPředměty(verze: 945)
Předmět, akademický rok 2023/2024
   Přihlásit přes CAS
Současná poezie a poetika - AAALE029A
Anglický název: Contemporary Poetry and Poetics
Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
Fakulta: Filozofická fakulta
Platnost: od 2023
Semestr: letní
Body: 0
E-Kredity: 5
Způsob provedení zkoušky: letní s.:
Rozsah, examinace: letní s.:0/2, Z [HT]
Počet míst: neurčen / 15 (neurčen)
Minimální obsazenost: neomezen
4EU+: ne
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Kompetence:  
Stav předmětu: vyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Způsob výuky: prezenční
Úroveň:  
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
Garant: Louis Armand, Ph.D.
Vyučující: Louis Armand, Ph.D.
Metody výuky
Poslední úprava: Louis Armand, Ph.D. (21.03.2024)

seminář

The seminar will encourage students to engage critically with a selection of literary and critical work by a number of innovative British, American and Commonwealth poets working in the latter twentieth and twenty-first centuries, such as Charles Olson, Robert Creeley, J.H. Prynne, Denise Riley, Frank O´Hara, John Ashbery, Geraldine Monk, Amiri Baraka, Bernadette Mayer, Steve McCaffery, Alice Notley, Allen Fisher, Ted Berrigan, Barbara Guest, John Tranter, Lyn Hejinian, Marjorie Welish, Rachel Blau DuPlessis, Andrea Bradey, Keston Sutherland, Maggie O'Sullivan, Clark Coolidge, Caroline Bergvall, Johanna Drucker, Gig Ryan, John Kinsella, and others.

*Assessment will be based upon a 3000 word research paper focused upon the work of one or more of the poets (or upon a topic) discussed during the seminar), within a critical theoretical framework (due 10 June); attendance (max. absences: 2); in-class presentation.

Schedule

7.3    The New American Poetry
14.3    British Poetry Revival
21.3    L=A=N=G=U=A=G=E
28.3    Concrete/Cine/Cyber

Presentation topics

(30 minutes: e.g. 10 mins context; 10 mins theory; 10 mins work)

1. Charles Olson; Denise Levetov; Allen Ginsberg; Leroi Jones/Amiri Baraka

2. Bob Cobbing; Maggie O'Sullivan; J.H. Prynne; Keston Sutherland

3. Lyn Hejinian; Steve McCaffery; Susan Howe; Johanna Drucker

4. Mary Ellen Solt; Mez; Francesca da Rimini; Caroline Bergvall

Recommended reading

Louis Armand (ed.), Contemporary Poetics (Evanston: Northwest University Press, 2007): https://www.academia.edu/63426481/CONTEMPORARY_POETICS_edited_by_Louis_Armand

Donald Allen (ed.), The New American Poetry (1960)

Donald Allen & Warren Tallman (eds.), The Poetics of the New American Poetry (New York: Grove, 1973)

Gillian Allnutt, Fred D'Aguiar, Ken Edwards and Eric Mottram (eds.), The New British Poetry 1968-88 (1988)

Ron Silliman (ed.), In the American Tree: Language, Realism, Poetry (Orono, ME: National Poetry Foundation, 1986)

Iain Sinclair (ed.), Conductors of Chaos (Picador, 1996)

Marjorie Perloff, The Poetics of Indeterminacy: Rimbaud to Cage (Evanston: Northwestern University Press, 1999)

Jerome Rothenberg & Pierre Joris (eds.), Poems for the Millennium (2 vols; University of California Press)

Paul Hoover (ed), Postmodern American Poetry (WW Norton, 1994)

Louis Armand (ed.), Avant-Post (Litteraria Pragensia, 2006) https://litterariapragensia.wordpress.com/2013/10/05/avant-post/

Louis Armand (ed), Hidden Agendas: Unreported Poetics (Litteraria Pragensia, 2010) https://litterariapragensia.wordpress.com/2013/10/05/hidden-agendas/

David & Christine Kennedy (eds), Women’s Experimental Poetry in Britain 1970–2010: Body, Time and Locale (Liverpool UP, 2013)

Alex Balgiu & Mónica de la Torre (eds), Women in Concrete Poetry: 1959-1979 (Primary Information, 2020)

Peter Schwenger, Asemic: The Art of Writing (University of Minnesota Press, 2020)

Jerome McGann, Postmodern Poetries (1990)

Christophe Wall-Romana, Cinepoetry: imaginary cinemas in French poetry (Fordham University Press, 2013)

Michael Golston, Poetic machinations: allegory, surrealism, and postmodern poetic form (Columbia University Press, 2015)

Matt Theado (ed) The Beats, Black Mountain, and New Modes in American Poetry (2021)

Robert Bailey, Art & Language International: Conceptual Art between Art Worlds (Duke University Press, 2016)

Andrea Andersson, PostScript: Writing After Conceptual Art (University of Toronto Press, 2018)

Christopher Funkhouser & Sandy Baldwin, Prehistoric Digital Poetry: An Archaeology of Forms (University Alabama Press, 2007)

John Kinsella, Polysituatedness: A Poetics of Displacement (Manchester University Press, 2017)

Nicholas Thoburn, Anti-book: on the art and politics of radical publishing (University of Minnesota Press, 2016)

Eduardo Ledesma, Radical Poetry: Aesthetics, Politics, Technology, and the Ibero-American Avant-Gardes (2015)

Kathleen Fraser, Translating the Unspeakable: Poetry and the Innovative Necessity (University of Alabama Press, 2000)

Silverberg Mark, The New York School poets and the neo-avant-garde (2010)

David W. Huntsperger, Procedural Form in Postmodern American Poetry: Berrigan, Antin, Silliman, Hejinian (Palgrave Macmillan, 2010)

 International Poetry Incarnation, Royal Albert Hall, 1965 (dir. Peter Whitehead)
https://www.youtube.com/watch?v=QIRWSlDR9KI


 

 

 
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