History of Chinese Art - ATJ100338V
Anglický název: History of Chinese Art
Zajišťuje: Katedra sinologie (21-KSI)
Fakulta: Filozofická fakulta
Platnost: od 2024
Semestr: letní
Body: 0
E-Kredity: 3
Způsob provedení zkoušky: letní s.:
Rozsah, examinace: letní s.:2/0, Zk [HT]
Počet míst: neurčen / neurčen (neurčen)
Minimální obsazenost: neomezen
4EU+: ne
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Kompetence:  
Stav předmětu: vyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Úroveň:  
Je zajišťováno předmětem: ATJ100338
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
Garant: Mgr. Michaela Pejčochová, Ph.D.
Třída: A – Mezioborová nabídka VP: Uměnovědy
Rozvrh LS   Nástěnka   
Anotace
The course will provide an introduction into the broad topic of the principles of Chinese art and its history over the past
two millennia. Based on an hierarchy of art forms different from European art, China preferred poetry, calligraphy and
painting to architecture and sculpture as the “fine arts” throughout its classical periods. In thirteen lectures, principal
prerequisites of Chinese theory of art will be explained, as well as materials and techniques typical for the production of
Chinese artworks. Various disciplines of the arts, such as painting, calligraphy, sculpture, architecture and applied arts
will be introduced one by one, stressing their historical development and theoretical context in which they functioned.
Attention will be paid to contacts and exchanges of the Chinese cultural world with those of China’s neighbors, above all
with Japan, and other overseas nations throughout different historical periods. Collecting of Chinese and Japanese art in
the West will be introduced, illuminating principal factors that influenced the emergence of collections in Europe and
other parts of the world. Issues related to colonialism and imperialism will be discussed with regard to formation of
collections of Asian art in the West. Throughout the course, students will be encouraged to pay critical attention to
Western scholarship on the topic, discuss published materials and present their views of the subject.

Exam requirements:
- written test with multiple choice questions at the end of the semester
- presentation of a short paper (5-10 minutes) on a selected topic during one of the lectures
- active participation in the lectures, discussion and creative approach to the topics

Poslední úprava: Jirková Miroslava (05.02.2025)
Podmínky zakončení předmětu
Exam requirements:
  • written test with multiple choice questions at the end of the semester
  • presentation of a short paper (5-10 minutes) on a selected topic during one of the lectures
  • active participation in the lectures, discussion and creative approach to the topics

Poslední úprava: Jirková Miroslava (05.02.2025)
Literatura
Recommended reading:

Jean Robertson, Deborah Hutton et al., The History of Art: A Global View. Prehistory to the Present, Thames and Hudson, 2021.

David Graeber, David Wengrow, The Dawn of Everything: A New History of Humanity, Penguin Books, 2022.

Peter Frankopan, The Silk Roads: A New History of the World, Bloomsbury, 2016.

Justin M. Jacobs, The Compensations of Plunder: How China Lost its Treasures, The University of Chicago Press, 2020.

Louise Tythacott, The Lives of Chinese Objects: Buddhism, Imperialism and Display, Berghahn Books, 2011.

Craig Clunas, Art in China, Oxford UP, 2009.

Robert L. Thorp, Richard E. Vinograd, Chinese Art and Culture, Harry N. Abrams, 2001.

Michael Sullivan, The Arts of China, University of California Press, 2009.

Patricia Buckley Ebrey, The Cambridge Illustrated History of China, Cambridge UP, 2010.

Laurence Sickman, Alexander Soper, The Art and Architecture of China, Yale UP, 1992.

Fu Xinian et al., Chinese Architecture, Yale UP, 2002.

Richard M. Barnhart et al., Three Thousand Years of Chinese Painting, Yale UP, 1997.

Craig Clunas, Chinese Painting and its Audiences, Princeton UP, 2017.

Wang Yao-t’ing, Looking at Chinese Painting, Nigensha, 1995.

Ouyang Zhongshi, Wen C. Fong, eds., Chinese Calligraphy, Yale UP, 2008.

Michaela Pejčochová, Masters of 20th-Century Chinese Ink Painting, National Gallery in Prauge, 2008.

Julia F. Andrews, Kuiyi Shen, The Art of Modern China, University of California Press, 2012.

Paul Gladston, Contemporary Chinese Art: A Critical History, Reaktion Books, 2014.

Robert van Gulik, Chinese Pictorial Art as Viewed by a Connoisseur, Instituto Italiano per il Medio ed Estremo Oriente, 1958.

Craig Clunas, Superfluous Things, University of Hawai‘i Press, 2004.

Poslední úprava: Jirková Miroslava (05.02.2025)
Sylabus

19 February

introduction

overview of the course

historical periods

religions, systems of thought

hierarchy of genres in art

collections of Chinese art around the world

26 February

ancient art I

ceramics

bronzes

jade

5 March

ancient art II

ancestor worship

tomb sculpture

architecture

12 March

theory of the arts in China

calligraphy

19 March

painting I

genres and techniques of painting in China

conventions of depicting reality

(26 March – teacher absent)

(individual reading on assigned topics)

2 April

painting II

literati culture

9 April

Buddhism, Daoism, Confucianism

philosophy and its relation to art

sculpture

16 April

ceramics

23 April

applied arts and crafts

lacquer

metalwork

textiles

30 April

contacts between China and the Western world

foreign influences on the arts of China

court culture in the late dynastic period

7 May

process of modernization of Chinese art

modern art in 20th century

history of collecting Chinese art in the West

colonialism and global art history

14 May

museum visit, exact time to be confirmed




Poslední úprava: Pejčochová Michaela, Mgr., Ph.D. (07.02.2025)