Improvisation
To get the ability to create the accompaniment of a folk and popular song in a worthy esthetic quality, using a satisfying musical form and structural musical elements.
The musical stylization of the accompaniment of a folk or popular song in using chord symbols.
Free improvisation of a basic musical form with its immanent expression.
Evaluation and approaching to value student's ability and flexibility during the interpretation and playing scores.
Playing in ensemble - Chamber music - Accompaniment - Orchestral parts
The content of the subject is tended to development student's abilities and experiences in the chamber music and piano accompaniment.
Students make a special musical community for performing the chamber music repertoire.
The choice of the repertoire and the student's cooperation and another social interaction make very specific team project.
Compositions are under the supervision of the academic tutors teaching instruments, in concerts and competitions of interpretation. They can be performed during special events of the University.
Students playing the string instruments is supposed to prepare orchestral parts and ensemble playing.
It is intended as a preparation for a teaching instruments in a basic music school.
Last update: Kateřina Esserová, DiS. (06.05.2022)
Improvisation
To get the ability to create the accompaniment of a folk and popular song in a worthy esthetic quality, using a satisfying musical form and structural musical elements.
The musical stylization of the accompaniment of a folk or popular song in using chord symbols.
Free improvisation of a basic musical form with its immanent expression.
Evaluation and approaching to value student's ability and flexibility during the interpretation and playing scores.
Playing in ensemble - Chamber music - Accompaniment - Orchestral parts
The content of the subject is tended to development student's abilities and experiences in the chamber music and piano accompaniment.
Students make a special musical community for performing the chamber music repertoire.
The choice of the repertoire and the student's cooperation and another social interaction make very specific team project.
Compositions are under the supervision of the academic tutors teaching instruments, in concerts and competitions of interpretation. They can be performed during special events of the University.
Students playing the string instruments is supposed to prepare orchestral parts and ensemble playing.
It is intended as a preparation for a teaching instruments in a basic music school.
Literature -
Last update: Kateřina Esserová, DiS. (06.05.2022)
Party a partitury evropské klasické nástrojové hudby 18., 19. a 20. století, soudobá hudba. Notový materiál. Audionahrávky a videonahrávky.
Music sheets and scores of European classical instrumental music of the 18th, 19th and 20th centuries, contemporary music. Music material. Audio recordings and videos.
DAHLHAUS, C. Was heißt Improvisation? In: Improvisation und neue Musik. Mainz : Schott, 1979, s. 9-23. ISBN 3-7957-1760-4.
FERAND, E. Die Improvisation in der Musik. b.v. Zürich : Rhein - Verlag, 1939, 405 s.
KRAEHENBUEHL, D.; CLARK, F.; GOSS, L. Keyboard Theory. Book four. 1. vyd. Secaucus : Warner Bros, 1965. 48 s. ISBN 0-87487-118-2.
BAILEY, D. Improvisation: Its Nature and Practce In Music, Da Capo Lifelong Books. Reprint Edition, 1993.
GUIDO, M. Studies in Historical Improvisation. Routledge, 2019.
MORTENSEN, J. J. The Pianist´s Guide to Historic Improvisation, Oxford University Press, 2020.
Last update: Kateřina Esserová, DiS. (06.05.2022)
Party a partitury evropské klasické nástrojové hudby 18., 19. a 20. století, soudobá hudba. Notový materiál. Audionahrávky a videonahrávky.
Music sheets and scores of European classical instrumental music of the 18th, 19th and 20th centuries, contemporary music. Music material. Audio recordings and videos.
DAHLHAUS, C. Was heißt Improvisation? In: Improvisation und neue Musik. Mainz : Schott, 1979, s. 9-23. ISBN 3-7957-1760-4.
FERAND, E. Die Improvisation in der Musik. b.v. Zürich : Rhein - Verlag, 1939, 405 s.
KRAEHENBUEHL, D.; CLARK, F.; GOSS, L. Keyboard Theory. Book four. 1. vyd. Secaucus : Warner Bros, 1965. 48 s. ISBN 0-87487-118-2.
BAILEY, D. Improvisation: Its Nature and Practce In Music, Da Capo Lifelong Books. Reprint Edition, 1993.
GUIDO, M. Studies in Historical Improvisation. Routledge, 2019.
MORTENSEN, J. J. The Pianist´s Guide to Historic Improvisation, Oxford University Press, 2020.
