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Last update: Mgr. Sandra Lábová, Ph.D. (19.09.2023)
MOODLE: https://dl2.cuni.cz/course/view.php?id=5188 |
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Last update: doc. PhDr. Alice Němcová Tejkalová, Ph.D. (19.02.2023)
CHAMBERLAIN, Phillip (2017), Drones and Journalism: How the media is making use of unmanned aerial vehicles (Routledge Focus on Journalism Studies) 1st Edition, ISBN-13: 978-1138668782 LESTER, P., M., ROSS, S., D:, Images that injure [elektronický zdroj]: pictorial stereotypes in the media / Susan Dente Ross and Paul Martin Lester, editors. 2011. ISBN 9780313378935. Kobre, K. (2008). Photojournalism : the professionals' approach. Amsterdam ; Boston : Focal Press, c2008. Láb, F. L., & Štefaniková, S. (2017). Photojournalism in Central Europe: Editorial and Working Practices. Nordicom Review, 387-23. doi:10.1515/nor-2017-041 LANGTON, Loup. Photojournalism and today's news: creating visual reality / Loup Langton. 2009. ISBN 9781405178976. PANZER, Mary. Things as they are: photojournalism in context since 1955 / by Mary Panzerr ; afterword by Christian Caujolle. 2005. ISBN 9781597110365. RITCHIN, Fred. Bending the frame: photojournalism, documentary, and the citizen / Fred Ritchin. 2010. ISBN 9781597111201. WHEELER, Tom. Phototruth or photofiction? [electronic resource]: ethics and media imagery in the digital age / Tom Wheeler. 2002. ISBN 0805842616. ZAVOINA, Susan C. Digital photojournalism / Susan C. Zavoina, John H. Davidson. 2002. ISBN 0205332404.
https://witness.worldpressphoto.org https://www.worldpressphoto.org/activities/research/state-news-photography-2016 https://www.worldpressphoto.org/news/2016-02-29/world-press-photo-foundation-releases-technical-report-2016-photo-contest |
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Last update: Mgr. Sandra Lábová, Ph.D. (25.09.2023)
Requirements: 1) Active participation in lectures is expected. Final Grading Assignment evaluation: FIRST DEADLINE – The assignment must be submitted before class - no later than a day before the class by 1 p.m. NOT SUBMITTED/SUBMITTED LATE – The assignment is evaluated with 0 points if submitted after the second deadline. NO EXCUSES NOTE – Please be aware that the assignments submitted after the first deadline might not be discussed in class because of time constraints. Semestral project evaluation The semestral projects I and II are evaluated by 5 points for on-time submission. The assignment must be submitted no later than a day before the class by 1 p.m.
Semestral project finals (max. 20 points): 1) Visual storytelling and relevance (max. 5 points) – appropriacy of selected theme/topic (Each photograph should have a clear message/topic). Clearly communicated idea. |
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Last update: Mgr. Sandra Lábová, Ph.D. (25.09.2023)
Week 1 (5/10): Course Introduction and Foundations (100 minutes) Overview of the Course Structure and Objectives Contemporary photojournalism
Week 2 (12/10): Technology of photography process and photography skills (100 minutes) Technology of Photography Online: Picture Editing
Week 3 (19/10): Visual Storytelling Basics (100 minutes) Aesthetics of Photojournalism and Composition Semestral Project I: Proposal
Week 4 (26/10): Assignment I discussion (100 minutes) Assignment I: Photo Story
Week 5 (2/11): Light and Portrait Workshop I (100 minutes) Lecture: Portrait, Light and Shadow
Week 6 (9/11): Light and Portrait Workshop II (100 minutes) Flash Photography
Week 7 (16/11 and 17/11): Multimedia collaborative project I 16/10 Lecture 17/10 Multimedia collaborative project - Velvet Revolution
Week 8 (23/11): Multimedia Collaborative Project II Assignment II: Multimedia collaborative project
Week 9 (30/11): Assignment III and Semestral Project II Assignment III: Portrait Semestral Project II (with Peer Review)
Week 10 (7/12): Industry Insights Guest Lecture (Professional Insights and Career Paths)
Week 11 (14/12): Student presentation of inspiring contemporary photojournalistic work
Week 12 (21/12): Semetral Project III Semestral Project III
Week 13 (4/1/24): Fakery and ethics in photojournalism
January: Semestral Project Finals Student presentation of Semestral Project (with Peer Review)
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