Harmony and Rudiments of Counterpoint II - OEBHH1742Z
Title: |
Harmony and Rudiments of Counterpoint II |
Guaranteed by: |
Katedra hudební výchovy (41-KHV) |
Faculty: |
Faculty of Education |
Actual: |
from 2023 |
Semester: |
winter |
E-Credits: |
7 |
Examination process: |
winter s.: |
Hours per week, examination: |
winter s.:1/1, C+Ex [HT] |
Capacity: |
unknown / unknown (unknown) |
Min. number of students: |
unlimited |
4EU+: |
no |
Virtual mobility / capacity: |
no |
State of the course: |
not taught |
Language: |
English |
Teaching methods: |
full-time |
Teaching methods: |
full-time |
Note: |
course can be enrolled in outside the study plan enabled for web enrollment |
|
|
Annotation -
| |
|
Last update: Kateřina Esserová, DiS. (03.12.2019)
Fundamentals of chromatic and contemporary harmony, basics of vocal counterpoint in 3 voices and of instrumental counterpoint
Last update: Kateřina Esserová, DiS. (03.12.2019)
Základy chromatické a soudobé harmonie, základy tříhlasého vokálního kontrapunktu a kontrapunktu instrumentálního |
Aim of the course -
| |
|
Last update: Kateřina Esserová, DiS. (03.12.2019)
Acquisition of basic knowledge about the chromatic harmony, vocal counterpoint in 3 voices and instrumental counterpoint, analysis of harmony in compositions
Last update: Kateřina Esserová, DiS. (03.12.2019)
Získání základních znalostí o chromatické harmonii o vokálním tříhlasém kontrapunktu a o kontrapunktu instrumentálním, analýza jevů ve skladbě |
Literature -
| |
|
Last update: Kateřina Esserová, DiS. (03.12.2019)
Harmony and Theory: A Comprehensive Source for All Musicians. 160 pages. Hal Leonard Corporation. ISBN-10: 0793579910. ISBN-13: 978-0793579914.
Jamini Deborah, Harmony and Composition: Basics to Intermediate. 512 pages. Trafford Publishing; illustrated edition edition. 2005. ISBN-10: 1412033330.
Schoenberg Arnold Theory of Harmony. 451 pages. Faber and Faber; 3rd Revised edition edition 1983. ISBN-10: 057113078X. ISBN-13: 978-0571130788.
Kostka Stefan Tonal Harmony. 736 pages. McGraw-Hill Higher Education; 6 edition 2008. ISBN-10: 0073401358. ISBN-13: 978-0073401355.
Brown Robert Rudiments of Harmony and Counterpoint. BiblioBazaar 2010. 88 pages. ISBN 1141479893, 9781141479894.
Cherubini Luigi A Course of Counterpoint and Fugue V1. Kessinger Publishing, LLC, 2010. 88 pages. ISBN 116527700X, 9781165277001.
Charles Vincent Harmony: Diatonic and Chromatic. Press, 2010. 186 pages. ISBN1177683024, 781177683029.
Last update: Kateřina Esserová, DiS. (03.12.2019)
Harmony and Theory: A Comprehensive Source for All Musicians. 160 pages. Hal Leonard Corporation. ISBN-10: 0793579910. ISBN-13: 978-0793579914.
Jamini Deborah, Harmony and Composition: Basics to Intermediate. 512 pages. Trafford Publishing; illustrated edition edition. 2005. ISBN-10: 1412033330.
Schoenberg Arnold Theory of Harmony. 451 pages. Faber and Faber; 3rd Revised edition edition 1983. ISBN-10: 057113078X. ISBN-13: 978-0571130788.
Kostka Stefan Tonal Harmony. 736 pages. McGraw-Hill Higher Education; 6 edition 2008. ISBN-10: 0073401358. ISBN-13: 978-0073401355.
Brown Robert Rudiments of Harmony and Counterpoint. BiblioBazaar 2010. 88 pages. ISBN 1141479893, 9781141479894.
Cherubini Luigi A Course of Counterpoint and Fugue V1. Kessinger Publishing, LLC, 2010. 88 pages. ISBN 116527700X, 9781165277001.
Charles Vincent Harmony: Diatonic and Chromatic. Press, 2010. 186 pages. ISBN1177683024, 781177683029.
|
Requirements to the exam -
| |
|
Last update: Kateřina Esserová, DiS. (03.12.2019)
Analysis of selected compositions in harmony, theoretical overview of the development vocal counterpoint in 3 voices and instrumental counterpoint
Last update: Kateřina Esserová, DiS. (03.12.2019)
Analýza harmonie ve vybraných skladbách, teoretický přehled o vývoji tříhlasého vokálního a instrumentálního kontrapunktu |
Syllabus -
| |
|
Last update: Kateřina Esserová, DiS. (03.12.2019)
1. Principle of secondary chords
2. Secondary dominant triad and dominant seventh chord
3. Secondary sevnth chord at the seventh grade
4. Use of secondary chords in practice
5. Alteration, altered dominants
6. Altered sevnth chord at the seventh stage
7. Altered secondary dominants
8. Chromatic modulation
9. Enharmonic modulation
10. Extended tonality
11. Evaporated chords
12. Chords of non-third and free interval construction
13. Principles of counterpoint in 3 voices and characterization of instrumental counterpoint
Last update: Kateřina Esserová, DiS. (03.12.2019)
1. Princip mimotonálních akordů
2. Mimotonální dominantní kvintakord a septakord
3. Mimotonální septakord na sedmém stupni
4. Užití mimotonálních dominant v praxi
5. Alterace, alterované dominanty
6. Alterovaný septakord na sedmém stupni
7. Mimotonální alterované dominanty
8. Chromatická modulace
9. Enharmonická modulace
10. Rozšířená tonalita
11. Zahuštěné akordy
12. Akordy neterciové a volné intervalové stavby
13. Zásady tříhlasého kontrapunktu a charakteristika kontrapunktu instrumentálního |
Entry requirements -
| |
|
Last update: Kateřina Esserová, DiS. (03.12.2019)
Credit in the subject Harmony and Rudiments of Counterpoint I
Last update: Kateřina Esserová, DiS. (03.12.2019)
Zápočet v předmětu harmony and Rudiments of Counterpoint I |
|