The course integratively includes the following disciplines: music theory, intonation, auditory analysis, history of music. Course contents: basic principles of vocal, instrumental and contemporary counterpoint, non-tertiary chord structure, chord combinations, ecclesiastical and modern European modality, bitonality and polytonality, extended tonality, atonality, seriality, aleatorics. Analysis and interpretation of instrumental and vocal literature. History of European music - from the beginning to the end of the 16th century, church fashions, vocal polyphony - on a theoretical and practical level.
Last update: Kateřina Esserová, DiS. (06.05.2022)
The course integratively includes the following disciplines: music theory, intonation, auditory analysis, history of music. Course contents: basic principles of vocal, instrumental and contemporary counterpoint, non-tertiary chord structure, chord combinations, ecclesiastical and modern European modality, bitonality and polytonality, extended tonality, atonality, seriality, aleatorics. Analysis and interpretation of instrumental and vocal literature. History of European music - from the beginning to the end of the 16th century, church fashions, vocal polyphony - on a theoretical and practical level.
Literature -
Last update: Kateřina Esserová, DiS. (06.05.2022)
BUTTERWORTH, A. Harmony in Practice. Grades 6-8. London: ABRSM, 1999. ISBN 978185472833.
CHOI, Y-Ch. Counterpoint (Palestrina Style) Vol. I. ISBN 978-89-967266-1-6
TAYLOR, E. AB Guide to Music Theory. Part 1. London:ABRSM, 1989. ISBN 9781854724465.
TAYLOR, E. AB Guide to Music Theory. Part 2. London: ABRSM, 1991. ISBN 9781854724472.
WALTON, Charles W. Basic Form in Music. UnivCounterpoint (Palestrina Style)ersity of Michigan: Alfred Music, 1974. ISBN 978-0-88284-025-3.
BRINEGAR, D. Pitch Perfect: A Theory and Practice of Choral Intonation. USA, 3019. ISBN 9781695710634.
JORDAN, J.; MEHAFFEY, M. Choral Ensemble Intonation. USA: Houston, 2001. ISBN 9781579991609.
Last update: Kateřina Esserová, DiS. (06.05.2022)
BUTTERWORTH, A. Harmony in Practice. Grades 6-8. London: ABRSM, 1999. ISBN 978185472833.
CHOI, Y-Ch. Counterpoint (Palestrina Style) Vol. I. ISBN 978-89-967266-1-6
TAYLOR, E. AB Guide to Music Theory. Part 1. London:ABRSM, 1989. ISBN 9781854724465.
TAYLOR, E. AB Guide to Music Theory. Part 2. London: ABRSM, 1991. ISBN 9781854724472.
WALTON, Charles W. Basic Form in Music. UnivCounterpoint (Palestrina Style)ersity of Michigan: Alfred Music, 1974. ISBN 978-0-88284-025-3.
BRINEGAR, D. Pitch Perfect: A Theory and Practice of Choral Intonation. USA, 3019. ISBN 9781695710634.
JORDAN, J.; MEHAFFEY, M. Choral Ensemble Intonation. USA: Houston, 2001. ISBN 9781579991609.
