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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (28.08.2023)
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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (28.08.2023)
Literature: Bernard Berenson, Rudiments of Connoisseurship, New York 1962 S. J. Fleming, Authenticity in Art, London 1975 George Savage, Forgeries, Fakes and Reproductions, London 1976 Charles Hamilton, Great forgers and famous fakes, New York 1980 Carol Gibson-Wood, Studies in the Theory of Connoisseurship: from Vasari to Morelli, New York, London 1988 Wilhem von Bode, Mein Leben, Berlin 1997 Dorothea Peters, Fotografie als Instrument und Medium der Kunstgeschichte, Berlin 2009 Mary Acton, Learning to look at Sculpture, London 2014 Mary Acton, Learning to look at Painting, London 2014 Mary Acton, Learning to look at Modern Art, London 2014
série Studies in the History of Collecting and Art Markets¨ Journal for art market studies (online) Georgina Adam, Dark side of the boom: the excesses of the art market in the twenty-first century, London 2017 Titia Hulst, A history of the western art market: a sourcebook of writings on artists, dealers and artmarkets, Oakland 2017 (online) Bénédicte Savoy, Theories of Art Market: data – value – history, Berlin 2017 (online) Bénédicte Savoy, The Pricing of Art: maker – markets – museums, Berlin 2017 (online) |
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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (28.08.2023)
The structure of the lectures: chapters from the history of connoisseurship from Renaissance until today (the role of an expert in culture history: Michelangelo, Vasari, Baldinucci, Crowe, Cavalcasele, Morelli, Berenson, Bode, Frienländer, Tietze, Kramář, Neuman, Šafařík, specific schools of connoiseurship in present days), elementary terms of connoisseurship: techinique, function, style, authorship, datation, the role of an art expert in state or private collections, the role of an art expert in the art market, issues of cultural monuments and national cultural monuments and their sale; basic procedures for determining the author of a work of art and its dating; evaluation of the results of chemical-technological and restoration research; signature issues on works of art; provenance of works of art; publishing of works of art. |
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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (28.08.2023)
The condition for obtaining credit at the end of the winter semester is active participation in lectures and processing of at least one catalog entry of the selected work of art in the form of text or power point presentation. |