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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)
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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)
Acidini Luchinat 1998: Cristina Acidini Luchinat, Taddeo e Federico Zuccari, fratelli pittori del cinquecento, Milano, 1998. Agosti – Thiébaut 2008: Giovanni Agosti – Dominique Thiébaut (eds.), Mantegna 1431–1506 (kat. výst.), Musée du Louvre 2008. David Ekserdijan, Correggio, London, New Haven 1997. Ernst H. Gombrich, Sylvia Ferino Pagden, Christoph L. Frommel, Konrad Oberhuber, Giulio Romano, Milano 1989 Laura Angelucci, Paolo Bertelli, Giulio Romano a Mantova, Mantova 2019. Algeri 2001: Giuliana Algeri (ed.), Perino del Vaga tra Raffaello e Michelangelo, kat. výst. Galleria Civica di Palazzo di Te, Mantova 2001, Milano 2001. Bambach 2017: Carmen C. Bambach, Michelangelo. Divine draftsman and designer, kat. výst., The Metropolitan Museum of Art, New York, New Haven, London 2017. Bambach – Goldner 1997: Carmen C. Bambach – Georg R. Goldner, The Drawings of Filippino Lippi and His Circle, kat. výst., The Metropolitan Museum of Art, New York 1997. Bora – Zlatohlávek 1995: Giulio Bora – Martin Zlatohlávek, Kresby z Cremony 1500–1580. Umění renesance a manýrismu v lombardském městě, kat. výst., Národní galerie v Praze, Praha 1995. Bora – Zlatohlávek 1997: Giulio Bora – Martin Zlatohlávek (eds.), I segni dell´arte. Il Cinquecento da Praga a Cremona, kat. výst., Cremona, Museo Civico „Ala Ponzone“, Roma 1997. |
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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)
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Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)
Graduation requirements: For the final oral exam, the student will choose one art monument (painting, drawing, mural, architecture), prepare a thorough analysis of it stylistically, compare it to the works of art from which the artist drew, and analyze its subject matter. He will also discuss the costumers. He will describe the provenance of such a work. He/she will bring a list of the literature used for the examination. |