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Course, academic year 2024/2025
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Post-War British and American Art in Context - AAALE006A
Title: Poválečné britské a americké umění v kontextu
Guaranteed by: Department of Anglophone Literatures and Cultures (21-UALK)
Faculty: Faculty of Arts
Actual: from 2020
Semester: summer
Points: 0
E-Credits: 5
Examination process: summer s.:
Hours per week, examination: summer s.:0/2, C [HT]
Capacity: unknown / 15 (unknown)
Min. number of students: unlimited
4EU+: no
Virtual mobility / capacity: no
Key competences:  
State of the course: taught
Language: English
Teaching methods: full-time
Level:  
Additional information: https://dl1.cuni.cz/enrol/index.php?id=1130
Note: course can be enrolled in outside the study plan
enabled for web enrollment
Guarantor: Louis Armand, Ph.D.
Teacher(s): Louis Armand, Ph.D.
Is co-requisite for: AAALE015B, AAALE006B
Is interchangeable with: AAA500418
Annotation
POST-WAR BRITISH & AMERICAN ART
This is a graduate seminar in the Critical and Cultural Theory MA Programme

The seminar offers a selected survey of developments in British and American Art from the Post-War period. There will also be a focus on early avant-garde movements, such as Vorticism in Britain and Dada in the USA, following the European influences of Cubism, Futurism and Dada. Special attention will also be given to selected theoretical writings and art criticism.

*REQUIRED READING
Foster, Krauss, Bois & Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism (London: Thames & Hudson, 2004)
Hal Foster (ed.) The Anti-Aesthetic (NY: New Press, 1983)
Renato Poggioli, The Theory of the Avant-Garde (1968)
Peter Bürger, Theory of the Avant-Garde (1974)

*ASSESSMENT
Attendance; 5 x 300-word report; 1 essay of 3,000 words due 10 June. Essays must include full bibliographical references (footnotes) for all works cited or paraphrased. Emphasis will be placed on the component of original research, and students are advised not to use Web sources in place of adequately researching texts available in print. The topic of the essay is: IS THE INSTITUTIONALISATION OF THE AVANT-GARDE INEVITABLE? Essays should engage with an artist’s (theorist's) or group of artist's (theorist's) work, along with detailed discussion of (a) selected critical or theoretical text(s) relevant to the topic.

*SCHEDULE

20.2: Avantgardism

27.2: Dada, Surrealism

6.2: Abstract Expressionism

13.2: Neo-Dada & Pop

20.2: Neo-Dada & Pop

27.3: Minimalism & Conceptual Art

3.4: Fluxus & Media Art

10.4: Digital & Cybernetic Art

17.4: Report: "Psychoanalysis in Modernism & as Method" (Art Since 1900)

24.4 Report: "The Social History of Art: Models & Concepts" (Art Since 1900)

1.5 Report: "Formalism & Structuralism" (Art Since 1900)

8.5 Report: "Poststructuralism & Deconstruction" (Art Since 1900)

15.5 Report: "Forward" by Jochen Schulte-Sasse, to Peter Burger, Theory of the Avant-Garde (1974)



*TOPICS/RECOMMENDED READINGS

PROBLEMS OF THE AVANTGARDE
Leon Trotsky & Andre Breton, "Manifesto: Towards a Free Revolutionary Art" (1938) (https://www.generation-online.org/c/fcsurrealism1.htm)

Jean-Francois Lyotard, "Representation, Presentation, Unpresentable" (The Inhuman)

Roland Barthes, "Rhetoric of the Image" (The Responsibility of Forms)

Eric Hobsbawm, The Age of Capital (chap. 15)

Clement Greenberg, 'Avant-Garde and Kitsch' (MOODLE)


DADA / SURREALISM
Man Ray, Duchamp, "New York Dada)
(https://monoskop.org/New_York_Dada)

A. Murjian, "Dada City: New York’s Contribution to a European Movement"
(https://www.artnews.com/art-in-america/features/new-york-dada-20th-century-cultural-capital-1202673053/)

Thierry de Duve, "Kant After Duchamp"

Lionel Abel, "The Surrealists in New York"
(https://www.commentarymagazine.com/articles/lionel-abel-2/the-surrealists-in-new-york/)

Martica Sawin, "Surrealism in Exile and the Beginning of the New York School"

Jean-Francois Lyotard, "The Sublime & the Avant-Garde" (The Inhuman)


AB EX
Roland Barthes, "Is Painting a Language?" (The Responsibility of Forms)

Clement Greenberg, 'American Type Painting' (MOODLE)

Harold Rosenberg, 'American Action Painters' (MOODLE)

Rosalind Krauss, The Optical Unconscious (chap. 6), on Pollock, Twombly, Warhol et al.

Roland Barthes, "Cy Twombly: Works on Paper" (The Responsibility of Forms)


MINIMALISM
Michael Fried, "Art and Objecthood" (MOODLE)

Mel Bochner, "Serial Art" (MOODLE)

Robert Morris, "Notes on Sculpture" (MOODLE)


NEO-DADA
Hal Foster, “What's Neo- About the Neo-Avant-Garde
https://monoskop.org/images/1/1f/Foster_Hal_1994_Whats_Neo_about_the_Neo-Avant-Garde.pdf

Branden W. Joseph, "Robert Rauschenberg" (October Files) (MOODLE)

Graham Witham, "The Independent Group at the ICA" (via researchgate)


POP ART
Annette Michelson, "Andy Warhol" (October Files) (MOODLE)

Lawrence Alloway, "Topics in American Art" (MOODLE)

Barbara Rose, "ABC Art" (MOODLE)

Hal Foster, "Recodings" (MOODLE)


SITE SPECIFIC
Gordon Matta-Clark: "Somewhere Outside the Law"
https://eprints.kingston.ac.uk/id/eprint/36320/1/Alliez-E-36320-AAM.pdf

"Gordon Matta-Clark and the Politics of Shared Space"
https://placesjournal.org/article/gordon-matta-clark-spacism/

Robert Smithson, "Collectd Writings"
(https://monoskop.org/images/b/bd/Smithson_Robert_Collected_Writings_no_OCR.pdf)

Douglas Crimp, "On the Museum's Ruins"


CONCEPTUALISM
Alexander Alberro and Blake Stimson (eds.), "Conceptual Art: A Critical Anthology"

Sol LeWitt, "Sentences on Conceptual Art": https://monoskop.org/images/3/3d/LeWitt_Sol_1969_1999_Sentences_on_Conceptual_Art.pdf

Alex Albero, "Inside the White Box" (MOODLE)

Harold Rosenberg, "Defining Art" (MOODLE)

John Cage, "An Autobiographical Statement" (MOODLE)

Toby Mussman, "Literalness and the Infinite" (MOODLE)

"Endless Constellations: On 'Women in Concrete Poetry 1959–1979'"
https://lareviewofbooks.org/article/endless-constellations-on-women-in-concrete-poetry-1959-1979/


CYBERNETIC / DIGITAL / VIRTUAL
Jean Baudrillard, "The Precession of Simulacra" (MOODLE)

Jasia Reichardt, "Cybernetic Serendipity" (https://monoskop.org/Cybernetic_Serendipity)


GENERAL
Brian Wallis (ed), "Blasted Allegories" (Writings by Contemporary Artists)

Hal Foster (ed.), "Vision & Visuality"

Hal Foster (ed.), "Discussions in Contemporary Culture"



*MEMORY OF THE WORLD / CRITICAL BOOKS
https://library.memoryoftheworld.org/

*MONOSKOP.ORG

*UBU.COM
Last update: Armand Louis, Ph.D. (20.03.2025)
Literature

POST-WAR BRITISH & AMERICAN ART
This is a graduate seminar in the Critical and Cultural Theory MA Programme

The seminar offers a selected survey of developments in British and American Art from the Post-War period. There will also be a focus on early avant-garde movements, such as Vorticism in Britain and Dada in the USA, following the European influences of Cubism, Futurism and Dada. Special attention will also be given to selected theoretical writings and art criticism.

*REQUIRED READING
Foster, Krauss, Bois & Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism (London: Thames & Hudson, 2004)
Hal Foster (ed.) The Anti-Aesthetic (NY: New Press, 1983)
Renato Poggioli, The Theory of the Avant-Garde (1968)
Peter Bürger, Theory of the Avant-Garde (1974)

*ASSESSMENT
Attendance; 5 x 300-word report; 1 essay of 3,000 words due 10 June. Essays must include full bibliographical references (footnotes) for all works cited or paraphrased. Emphasis will be placed on the component of original research, and students are advised not to use Web sources in place of adequately researching texts available in print. The topic of the essay is: IS THE INSTITUTIONALISATION OF THE AVANT-GARDE INEVITABLE? Essays should engage with an artist’s (theorist's) or group of artist's (theorist's) work, along with detailed discussion of (a) selected critical or theoretical text(s) relevant to the topic.

*SCHEDULE

20.2: Avantgardism

27.2: Dada, Surrealism

6.2: Abstract Expressionism

13.2: Neo-Dada & Pop

20.2: Neo-Dada & Pop

27.3: Minimalism & Conceptual Art

3.4: Fluxus & Media Art

10.4: Digital & Cybernetic Art

17.4: Report: "Psychoanalysis in Modernism & as Method" (Art Since 1900)

24.4 Report: "The Social History of Art: Models & Concepts" (Art Since 1900)

1.5 Report: "Formalism & Structuralism" (Art Since 1900)

8.5 Report: "Poststructuralism & Deconstruction" (Art Since 1900)

15.5 Report: Peter Burger, Theory of the Avant-Garde (1974)



*TOPICS/RECOMMENDED READINGS

PROBLEMS OF THE AVANTGARDE
Leon Trotsky & Andre Breton, "Manifesto: Towards a Free Revolutionary Art" (1938) (https://www.generation-online.org/c/fcsurrealism1.htm)

Jean-Francois Lyotard, "Representation, Presentation, Unpresentable" (The Inhuman)

Roland Barthes, "Rhetoric of the Image" (The Responsibility of Forms)

Eric Hobsbawm, The Age of Capital (chap. 15)

Clement Greenberg, 'Avant-Garde and Kitsch' (MOODLE)


DADA / SURREALISM
Man Ray, Duchamp, "New York Dada)
(https://monoskop.org/New_York_Dada)

A. Murjian, "Dada City: New York’s Contribution to a European Movement"
(https://www.artnews.com/art-in-america/features/new-york-dada-20th-century-cultural-capital-1202673053/)

Thierry de Duve, "Kant After Duchamp"

Lionel Abel, "The Surrealists in New York"
(https://www.commentarymagazine.com/articles/lionel-abel-2/the-surrealists-in-new-york/)

Martica Sawin, "Surrealism in Exile and the Beginning of the New York School"

Jean-Francois Lyotard, "The Sublime & the Avant-Garde" (The Inhuman)


AB EX
Roland Barthes, "Is Painting a Language?" (The Responsibility of Forms)

Clement Greenberg, 'American Type Painting' (MOODLE)

Harold Rosenberg, 'American Action Painters' (MOODLE)

Rosalind Krauss, The Optical Unconscious (chap. 6), on Pollock, Twombly, Warhol et al.

Roland Barthes, "Cy Twombly: Works on Paper" (The Responsibility of Forms)


MINIMALISM
Michael Fried, "Art and Objecthood" (MOODLE)

Mel Bochner, "Serial Art" (MOODLE)

Robert Morris, "Notes on Sculpture" (MOODLE)


NEO-DADA
Branden W. Joseph, "Robert Rauschenberg" (October Files) (MOODLE)

Graham Witham, "The Independent Group at the ICA" (via researchgate)


POP ART
Annette Michelson, "Andy Warhol" (October Files) (MOODLE)

Lawrence Alloway, "Topics in American Art" (MOODLE)

Barbara Rose, "ABC Art" (MOODLE)

Hal Foster, "Recodings" (MOODLE)


SITE SPECIFIC
Gordon Matta-Clark: "Somewhere Outside the Law"
https://eprints.kingston.ac.uk/id/eprint/36320/1/Alliez-E-36320-AAM.pdf

"Gordon Matta-Clark and the Politics of Shared Space"
https://placesjournal.org/article/gordon-matta-clark-spacism/

Robert Smithson, "Collectd Writings"
(https://monoskop.org/images/b/bd/Smithson_Robert_Collected_Writings_no_OCR.pdf)

Douglas Crimp, "On the Museum's Ruins"


CONCEPTUALISM
Alexander Alberro and Blake Stimson (eds.), "Conceptual Art: A Critical Anthology"

Sol LeWitt, "Sentences on Conceptual Art": https://monoskop.org/images/3/3d/LeWitt_Sol_1969_1999_Sentences_on_Conceptual_Art.pdf

Alex Albero, "Inside the White Box" (MOODLE)

Harold Rosenberg, "Defining Art" (MOODLE)

John Cage, "An Autobiographical Statement" (MOODLE)

Toby Mussman, "Literalness and the Infinite" (MOODLE)

"Endless Constellations: On 'Women in Concrete Poetry 1959–1979'"
https://lareviewofbooks.org/article/endless-constellations-on-women-in-concrete-poetry-1959-1979/


CYBERNETIC / DIGITAL / VIRTUAL
Jean Baudrillard, "The Precession of Simulacra" (MOODLE)

Jasia Reichardt, "Cybernetic Serendipity" (https://monoskop.org/Cybernetic_Serendipity)


GENERAL
Brian Wallis (ed), "Blasted Allegories" (Writings by Contemporary Artists)

Hal Foster (ed.), "Vision & Visuality"

Hal Foster (ed.), "Discussions in Contemporary Culture"



*MEMORY OF THE WORLD / CRITICAL BOOKS
https://library.memoryoftheworld.org/

*MONOSKOP.ORG

*UBU.COM

Last update: Armand Louis, Ph.D. (20.02.2025)
Teaching methods - Czech

seminář

Last update: Znojemská Helena, Mgr., Ph.D. (05.01.2014)
Requirements to the exam

.

Last update: Armand Louis, Ph.D. (26.01.2020)
Syllabus

SCHEDULE

1: Avantgardism

2: Dada, Surrealism

3: Abstract Expressionism

4: Neo-Dada

5: Pop Art

6: Minimalism

7: Conceptual Art

8: Digital/Cybernetic Art

Last update: Armand Louis, Ph.D. (19.02.2024)
 
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