|
|
|
||
Last update: Mgr. Petr Svoboda (19.10.2021)
|
|
||
Last update: Mgr. Petr Svoboda (19.10.2021)
Kurz má za cíl seznámit posluchače s hudební strukturou takovým způsobem, aby se poté byli schopni zorientovat v celé šíři hudby od minulosti až po současnost a také pochopit její vnitřní matérii a logiku. |
|
||
Last update: Mgr. Petr Svoboda (19.10.2021)
Výuka bude probíhat prezenčním způsobem. Pokud to nebude možné, on line. Způsob by byl studentům oznámen. |
|
||
Last update: Mgr. Petr Svoboda (19.10.2021)
Tichý, Vladimír. Harmonicky myslet a slyšet. 2., opr. a rozš. vyd. Praha: Nakladatelství Akademie múzických umění, 2011. 297 s. Hudební pedagogika; sv. 3. ISBN 978-80-7331-199-5. Smolka, Jaroslav a kol. Dějiny hudby. Vyd. 1. Brno: Togga ve spolupráci s Českým hudebním fondem, 2001. 657 s. ISBN 80-902912-0-1. |
|
||
Last update: Mgr. Petr Svoboda (19.10.2021)
At a theoretical level, the seminary will take up the following aspects: 1. Musical form: Principles of formation of a comprehensible musical form: - melodic-rhythmical structure (motif = word, theme = sentence) - contrast (dynamics, colour, density, character) – gradualy development – from still to loud, from loose to dense setting, from simple to complex, and vice versa (climax and anti-climax). Fixed-constitution formal figurations - notions: songs as forms, sonatas, rondos, etc. 2. Musical instrumentary: Basic organological division: winds, chords (musical-bow, manual), key instruments, percussion. Stable staffing of chamber-music groups, orchestra staffing (classic, romantic). Division of human voices (SATB), division of voices according to the opera roles (soprano – colorature and dramatic, lyric; tenor, heroic; buffo, basso buffo, etc.). 3. Musical message: Musical composition as a story – musical composition as an organized sequence of attractive sounds – music as communication of emotion – music as an abstract intellectual construct. Gradual emergence of genre types constituted especially in the Romantism period (for instance, joyful, comic, sad, tragic, solemn). Notions: absolute music, programme music, popular music. 4. Musical genres: Chamber music, orchestral music, vocal music, vocal-instrumental music, opera – cycles of minor compositions, sonatas, duos, trios, quartets, quintets – symphonies, ouvertures, symphonic poems – chamber songs, cantatas, oratoira, Church music, etc.
A number of themes will be accompanied by selected samples of musical-composition recordings of various style epochs, various genres, various character and different instrumental staffing.
|
|
||
Last update: Mgr. Petr Svoboda (19.10.2021)
The participation in at least two study blocks out of three. |