Photojournalism after Digitalization: State of Photojournalism in the Czech Republic

• Název práce v češtině: Fotožurnalistika po digitalizaci: Stav fotožurnalistiky v České republice po digitalizaci
• Název v anglickém jazyce: Photojournalism after Digitalization: State of Photojournalism in the Czech Republic
• Klíčová slova: etnografický výzkum, fotožurnalistika, fotožurnalisté, gatekeeping, věrohodnost, autentičnost, profesní identita, pracovní postupy, etické normy, konkurence, Česká republika
• Klíčová slova anglicky: ethnographic research, photojournalism, photojournalists, gatekeeping, authenticity, professional identity, working practice, ethical standards, competition, Czech Republic
• Akademický rok vypsání: 2015/2016
• Typ práce: disertační práce
• Jazyk práce: angličtina
• Ústav: Institut komunikačních studií a žurnalistiky (23-IKSZ)
• Vedoucí / školitel: doc. Robert Silverio, Ph.D.
• Řešitel: skrytý - zadáno a potvrzeno stud. odd.
• Datum přihlášení: 22.09.2016
• Datum zadání: 22.09.2016
• Datum potvrzení stud. oddělením: 22.09.2016
• Datum a čas obhajoby: 26.09.2023 10:00
• Místo konání obhajoby: Hollar, H013, Hollar - místn. č. 013
• Datum odevzdání elektronické podoby: 08.08.2023
• Datum proběhlé obhajoby: 26.09.2023
• Oponenti: doc. Maria Elisabeth Nilsson, Ph.D.

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Předběžná náplň práce

Disertační práce předkládá etnografický výzkum, jehož hlavním cílem je komplexně prozkoumat fotožurnalistiku v České republice. Základním předpokladem této práce je, že fotografie má významný podíl na mediální konstrukci reality, ačkoliv její autenticita je často zpochybňována. Důraz je kladen na roli fotožurnalistů a jejich rozhodování v procesu gatekeepingu. Práce se také zaměřuje na výzvy, kterým fotožurnalisté čelí v souvislosti s proměnami mediálního trhu a rozvojem technologií. Výzkum využívá kombinaci kvalitativních a kvantitativních metod a zkoumá čtyři klíčové aspekty současné fotožurnalistické praxe v České republice: profesní identitu, proces produkce, etické standardy a pracovní podmínky ve světle sílící konkurence. Klíčové závěry práce ukazují, že fotožurnalisté vnímají své povolání pozitivně, přestože čelí výzvám spojeným s digitalizací a náročnými pracovními podmínkami. Respondenti výzkumu zdůrazňují význam autenticity novinářské fotografie a dodržování etických principů. Oceňují také míru autonomie, kterou jim některé redakce poskytují. Nicméně zároveň upozorňují na nedostatečné finanční ohodnocení fotožurnalistů a vyjadřují obavy ze sílící konkurence. Navzdory těmto výzvám však fotožurnalisté vyjadřují celkovou spokojenost se svým povoláním, které považují za prestižní a obohacující. Výsledky této studie nabízejí východiska pro další zkoumání fotožurnalismu v České republice a otevírají cestu pro další výzkumy na toto téma.

Předběžná náplň práce v anglickém jazyce

This dissertation undertakes ethnographic research to comprehensively examine photojournalism in the Czech Republic. It builds on the importance of news images in the media representation of reality while considering the authenticity of photography. It stresses photojournalists' role in gatekeeping decision-making and discusses their challenges in the evolving media market and developing technology. The research employs qualitative and quantitative methods to examine four dimensions of current photojournalist practice in the Czech Republic: professional identity, production process, ethical standards, and working conditions in light of rising competition. Key findings show passionate and dedicated professionals facing challenges in digitalization and limited resources. Respondents prioritize authenticity and autonomy but highlight the concerns about the underrepresentation of photo departments and the impact of competition in photojournalism. Nevertheless, they express high job satisfaction, viewing their profession as prestigious and rewarding. This research sets a foundation for future longitudinal studies of Czech photojournalists by providing arguments for several concerns, such as gender disparity, technological advancements, and audience perception of visual narratives.